File:Peter Paul Rubens – Venus, Cupid, Bacchus and Ceres – WGA20283.jpg

Original file (1,145 × 800 pixels, file size: 135 KB, MIME type: image/jpeg)
This file is from Wikimedia Commons and may be used by other projects. The description on its file description page there is shown below.
Summary
Peter Paul Rubens: Sine Baccho et Cerere friget Venus
![]() ![]() |
|||||||||||||||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
|
||||||||||||||||||||||||||||||||||||||||
Title |
Venus, Cupid, Bacchus and Ceres (Sine Baccho et Cerere friget Venus) |
||||||||||||||||||||||||||||||||||||||||
Object type |
painting ![]() |
||||||||||||||||||||||||||||||||||||||||
Genre |
mythological painting ![]() |
||||||||||||||||||||||||||||||||||||||||
Description | |||||||||||||||||||||||||||||||||||||||||
Depicted people | |||||||||||||||||||||||||||||||||||||||||
Date |
between 1612 and 1613 date QS:P,+1612-00-00T00:00:00Z/8,P1319,+1612-00-00T00:00:00Z/9,P1326,+1613-00-00T00:00:00Z/9 ![]() |
||||||||||||||||||||||||||||||||||||||||
Medium |
oil on canvas ![]() |
||||||||||||||||||||||||||||||||||||||||
Dimensions |
height: 141 cm (55.5 in) ![]() ![]() dimensions QS:P2048,+141U174728 dimensions QS:P2049,+200U174728 |
||||||||||||||||||||||||||||||||||||||||
Collection |
institution QS:P195,Q1954840 |
||||||||||||||||||||||||||||||||||||||||
Accession number | |||||||||||||||||||||||||||||||||||||||||
References | |||||||||||||||||||||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: ![]() ![]() wga QS:P11807,"/r/rubens/21mythol/11mythol" |
Licensing
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Captions
Items portrayed in this file
depicts
image/jpeg
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 03:03, 10 June 2011 | ![]() | 1,145 × 800 (135 KB) | wikimediacommons>JarektUploadBot | {{Artwork |artist = {{Creator:Peter Paul Rubens}} |title = Venus, Cupid, Baccchus and Ceres |description = |date = {{other date|between|1612|1613}} |medium = {{Oil on canv |
File usage
The following page uses this file:
Metadata
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
If the file has been modified from its original state, some details may not fully reflect the modified file.
JPEG file comment | RUBENS, Pieter Pauwel
(b. 1577, Siegen, d. 1640, Antwerpen) Venus, Cupid, Baccchus and Ceres 1612-13 Oil on canvas, 141 x 200 cm Staatliche Museen, Kassel Venus and her son Cupid are being offered food and wine by Ceres, goddess of the fruits of the field, and Bacchus, god of wine. The subject comes from a line by the Roman comic poet Terence (d. 159 BC) which frequently figures in the emblem literature that developed from the mid-16th century: 'Sine Cerere et Libero friget Venus' - without Ceres and Bacchus, Venus would freeze. Love is impossible without food and drink. Rather than depicting a boisterous feast, Rubens has opted for a rather restrained scene that must be read as a plea for moderation in pleasure. Rubens produced this painting a few years after his eight-year stay in Italy, where he was employed at the court of Duke Vincenzo Gonzaga of Mantua, and also in Rome. The knowledge of antiquity he gained then was put to use in this painting, as also in a later work on the same theme in 1614, (Royal Fine Arts Museum, Antwerp), Ceres' pose being taken from the Crouching Venus of the Hellenistic sculptor Doidalsas, dating from around 240-230 BC. Rubens certainly knew the marble copy in the Farnese collection in Rome (today in the National Archaeological Museum, Naples). What he particularly appreciated in Hellenistic and Roman sculpture was its formal dynamism, although he saw in ancient sculpture generally a realm of flawless, ideal nature. In painting from such antique models, he says in his De Imitatione Statuarum, a treatise 'on the imitation of sculpture', the statuary has to be humanised, translated into flesh and blood. <P> <TABLE ALIGN=LEFT CELLPADDING=5 BORDER=1 WIDTH=320 BGCOLOR="#99CCCC"> <TR VALIGN=MIDDLE><TD><IMG SRC="/support/gif/listen.gif" BORDER=0 VALIGN=MIDDLE> Suggested listening (streaming mp3, 4 minutes):<BR><A HREF="#" onClick="w=window.open ('/music1/17_cent/gasparini_cupid.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=350,height=350');w.opener=this;w.focus();return true"><B>Francesco Gasparini: The Meddlesome Cupid, aria</B></A> </TD></TR></TABLE>
--- Keywords: -------------- Author: RUBENS, Pieter Pauwel Title: Venus, Cupid, Baccchus and Ceres Time-line: 1601-1650 School: Flemish Form: painting Type: mythological |
---|